Some could argue that “In the Meantime” is a breakup album, and in a way, it is. As she starts to heal toward the end of the album, she finds a way to put a muzzle on this voice. She bluntly puts it: “It’s like there’s two of me,” and she cannot hear herself think. On ‘Never Take It,’ Twenty One Pilots Asks Listeners To Think Critically About MediaĪnother highlight of the album is “Voice in My Head,” a modern song about escaping negative thoughts that plague her mind. Cara’s sophomore album was aptly named “The Pains of Growing.” “Scars To Your Beautiful” is a reminder to those with low self-esteem that their pain shows their strength. “Here” is an introvert’s anthem about wanting to stay alone in a corner during parties. Thus, it is no surprise that Cara struggles with self-doubt and overthinking.
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Her award for best new artist caused quite a bit of backlash, with critics claiming that others (she was up against SZA, Khalid, Lil Uzi Vert and Julia Michaels) deserved it more, especially given that Cara’s first hit single, the aforementioned “Here,” was released two years prior in 2015. But despite winning a Grammy in 2018, she is not exactly a household name. It makes sense to most why Cara would feel so stuck in the passageways crafted from the success of her singles “Here” and “Scars To Your Beautiful,” as well as her features on “Stay” with Zedd and “1-80” with Logic and Khalid.
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In late September, Alessia Cara released her third studio album, “In the Meantime,” an ode to the confusing beauty of the in-between states of life.